
*ing: John Abraham, Paresh Rawal, Ayesha Takia and Ranbir Shorey
Directed by Anurag Kashyap
The promos of No Smoking promise that this is not an average Bollywood film. It sees John Abraham in a new avtar and it is shot in the remotest of all places, Siberia as well as Kazakistan. It sees a new pair onscreen for the first time – the cute Ayesha Takia with hot rod John Abraham. Throw the always dependable Paresh Rawal in the mix and there is a film that looks enticing enough to be seen as soon as it is released.
But all that advertising and the item song, ‘Phook De’ between John and beauty Bipasha Basu do not save this film. Nothing does.
No Smoking that attempts at making statements but fails miserably, like most films, due to poor execution.
The film shows Kay, played to perfection by John Abraham, as a chain smoker. He smokes in the bathroom, bedroom, elevator and everywhere else in between. His smoking is the biggest bone of contention between him and his wife Anjali (Ayesha Takia).
A run-in with a once-smoker friend, Abbas (Ranvir Shorey) and fragile relations with his wife leads him to Prakash Guru Ghantal Baba (Paresh Rawal) who runs a rehabilitation centre. And thus begins the strange, inexplicable story…
Cigarette is a metaphor for free will and self-control. Ghantal Baba’s rehabilitation center is a take on Hitler and Nazi camps. The surveillance that Kay goes through after entering the facility is a representation of how life in the modern world is always under the eye of someone and no one is safe.
These are intelligent statements to make. The problem is that symbolism alone can’t make a film. For instance, as soon as Kay enters the rehab facility, he is told that if he smokes again, his fingers will be chopped off.
The rehab is located in an area that would scare the boldest of men because it reflects dark danger from afar. Why does an intelligent, educated man like Kay go there to begin with? There is a fine line between curiosity and stupidity.
Furthermore, Kay travels half way across the world and Ghantal Baba knows that he lit a cigarette. Without ever meeting him, Ghantal Baba has shots of him trying out his first cigarette in a bathroom with his friend Abbas. Ghantal Baba is not the head of CIA or NSA. It doesn’t connect. Should one choose to get past these little loopholes that keep on coming throughout, you just might like the movie.
The whole film is a chase between smoking and avoiding Ghantal Baba. Fingers chopped off by Ghantal Baba magically join back the hand without so much as a scar. Is it magic? Nothing connects here. The entire plot is lost because you just don’t get past the powers of Ghantal Baba. At the end one wonders if he exists at all or is it a metaphor.
Often films tend to blur the line between reality and illusions. The Butterfly Effect did it to perfection as did Prozac Nation. It makes the film worth while and offbeat. An important film that reflects the big brother role of all intelligence agencies came with the movie, Enemy of the State. Anti-Trust dealt with the idea of corporate manipulation of intelligence and that too was filled with nuances taking cue from everything starting from Hitler to modern day greed in giant corporations.
All those films symbolized the modern day era but never were they as bizarre as No Smoking.
Not surprisingly, this film has been slammed by most Indian critics and is another dud for John Abraham who hasn’t had a hit since Taxi Number 9211 that came out in early 2006. The fact that the role of Kay is tailor-made for John and he pulls it off with a natural ease still doesn’t help the film at all.
Another knockout performance comes from Paresh Rawal as Ghantal Baba. It is a refreshing new role for him after a long stint he has had with comedy. Ghantal Baba is merciless and bordering on insanity. Paresh plays it with finesse that only an actor as classy as him can play.
Ayesha Takia and Ranvir Shorey give decent performances in supporting roles. But Ranvir Shorey is definitely an actor who deserves meatier roles.
That said, the funky and offbeat music, slickly shot dreams (if one can call them that), fabulous performances and the quirky humour just makes it bearable to drag one to the end.
There are two sides to Indian cinema. One is the glossy and glamourous one and the other is realistic and meaningful. That is the cinema that makes film on Gujrat riots but never gets enough publicity.
But slowly even the glamourous Bollywood is taking steps towards more than masala and comedy. It is going towards social messages even if there are a handful films and filmmakers attempting it.
Lage Raho Munnabhai brought the ideas of the forgotten hero Gandhi to the youth, Kabhi Alvida Naa Kehna shows a different side of infidelity – conservatives can cheat too and not just the outgoing, party lovin’ liberals. Chak De India was about women, the sporting spirit and a dying form of sport in the subcontinent, and there is the upcoming Aamir Khan flick Taare Zameen Par about autistic children.
No Smoking joins this list. It tells you about the harmful impact of smoking. No doubt the message comes across and if you are a smoker, you’ll be a tad alarmed… but that is only if you have enough patience to see the whole movie.
Symbolism will only take you so far. In the end, an intelligent execution was needed especially if a story is as convoluted as this and here Anurag Kashyap falls big time. Only watch this film if you’re a die-hard John Abraham fan or if you’re in the mood to waste a few hours.
– Maheen Sabeeh
*YUCK
**WHATEVER
***GOOD
****SUPER
*****AWESOME